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How to Add Tilt-Shift Blur to Photos in Telegram

A wide lens holds everything in focus at once, which is exactly why a phone photo of a street can look flat. The blur tool in Telegram's editor puts the…

  • LevelL1
In this article
  1. lens_blur Why a blurred edge reads as depth
  2. settings Applying it
  3. At a glance
play_circle Video tip • Media editor

A wide lens holds everything in focus at once, which is exactly why a phone photo of a street can look flat. The blur tool in Telegram's editor puts the focus back where you want it, after the fact.

There are two shapes to choose from and they do genuinely different things. One isolates a subject; the other makes a city look like a model railway.

What you will be able to do

  • check_circle Choose between the circular and the linear blur for the picture in front of you.
  • check_circle Move, resize and rotate the focus area with one two-finger gesture.
  • check_circle Get the miniature effect to work, instead of a photo that just looks smeared.
  • check_circle Recognise the photos where this tool is the wrong idea.
play_circle Official Telegram video short — tilt shift and depth-of-field blur
1080p clip from @TelegramTips #134 • 0:10

The two fingers are doing three things at once — moving the band, widening it, and rotating it to follow the road.

lens_blur Why a blurred edge reads as depth

A camera with a large aperture keeps a thin slice of the scene sharp and lets everything nearer and further fall away. We read that softness as distance, without thinking about it. A phone's small sensor and wide lens produce almost none of it, so everything arrives equally sharp and the picture loses its sense of depth.

Adding the falloff afterwards is a convincing imitation as long as it follows a plausible plane. That is the whole trick, and it is why the two shapes exist: a circle for a subject that sits at one distance, a band for a scene that recedes.

The miniature effect comes from the same reading run backwards. We only ever see this thin a plane of focus on things a few centimetres away, so when a photograph of a whole city has it, the brain concludes the city must be small.

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The edge is feathered, not cut The transition from sharp to soft is a gradient rather than a boundary. That is what keeps it from looking like a cut-out, and it is why a wider focus band usually looks better than a narrow one.
gesture Interactive

Circle, band, or neither

The choice follows the picture, not taste. Three cases, and the third is the one worth knowing.

center_focus_strong Circular — one subject at one distance

check_circle A face, a plate of food, an object on a table. Put the circle on the subject and widen it until the edge of the subject is comfortably inside.
check_circle Works best when the background is busy and far away. That is the situation a real lens would have softened anyway.
cancel A circle too small for the subject blurs an ear or the rim of a plate, and the eye catches it immediately.

One line: a circle for a subject, a band for a scene with distance in it, and nothing for a flat image.

settings Applying it

  1. Open the photo in the editor Attach it, tap the thumbnail, then tap the sliders icon in the bottom toolbar.
  2. Scroll along to Blur It sits with the other correction controls rather than on its own tab.
  3. Pick circular or linear The two shapes are offered as soon as the tool opens.
  4. Place it with one gesture Drag to move the focus area, pinch to make it larger or smaller, and twist to rotate the linear band.
  5. Set the strength, then back it off Almost everyone's first attempt is too strong. Reduce it until you stop noticing it and stop there.
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Pair it with a small vignette Darkening the corners slightly reinforces the same effect, because a real lens does both at once. The two together at low strength look more convincing than either at high strength.
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Part of the beginner curriculum Step 13 — In-app media editor and typography studio

This page is one tool in the editor. The curriculum step covers the canvas it lives on: the drawing and text layers, scrubbing a video to the frame you want to work on, and where editing sits between choosing a file and sending it.

Summary

At a glance

  1. 1Circle or line

    Radial blur for a subject, linear blur for a scene.

  2. 2Move the focus

    Pinch and rotate the focus area with two fingers.

  3. 3Miniature effect

    Works best from above on wide scenes.

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